{"id":282,"date":"2022-04-16T23:13:35","date_gmt":"2022-04-16T20:13:35","guid":{"rendered":"https:\/\/saaremaa.edu.ee\/silmapiir\/?p=282"},"modified":"2022-04-20T11:35:22","modified_gmt":"2022-04-20T08:35:22","slug":"kes-oli-bach-aga-lennon","status":"publish","type":"post","link":"https:\/\/saaremaa.edu.ee\/silmapiir\/kes-oli-bach-aga-lennon\/","title":{"rendered":"Kes oli Bach? Aga Lennon?"},"content":{"rendered":"\n

Vaatamata t\u00e4nap\u00e4eva n\u00e4iliselt piiramatule info k\u00e4ttesaadavusele v\u00f5ib kohati tunduda, et  noorte muusikamaitse v\u00f5i siis v\u00e4hemalt teadmised muusikast osutuvad v\u00e4ga kesiseks v\u00f5i pealiskaudseks.<\/p>\n\n\n\n

Murekoht ei ole selles, et noorte teadmised oleks \u00fcldiselt kesised, vaid asjaolu, et enamasti ollakse s\u00fcvenenud vaid \u00fchte v\u00f5i kahte \u017eanrisse ning ei olda teadlikud muusikamaailma s\u00fcgavamast kultuurilisest taustast ja ajaloost.<\/p>\n\n\n\n

T\u00e4nap\u00e4eval v\u00f5ib enamik noortest kindlasti nimetada m\u00f5ne Justin Bieberi, Kanye Westi v\u00f5i Drake\u2019i laulu, kuid t\u00f5en\u00e4oliselt ei osata nimetada m\u00f5nda Bachi teost (kui sellisest mehest \u00fcldse kuuldud ollakse).<\/p>\n\n\n\n

\u00dchiskond peaks seda v\u00f5tma kui hoiatusm\u00e4rki. Kui noorem p\u00f5lvkond ei v\u00e4\u00e4rtusta mineviku muusikakultuuri, siis v\u00f5ib juhtuda, et \u00fchel p\u00e4eval on minevik unustusse vajunud ning ei teatagi, et kunagi on tegutsenud sellised inimesed nagu Mozart, Louis Armstrong v\u00f5i isegi John Lennon.<\/p>\n\n\n\n

Muidugi ilmub alati juurde aina uusi artiste ja \u201ekunstnikke\u201c, kes m\u00e4ngivad paar nooti ja elektrooniliselt modifitseeritud h\u00e4\u00e4lega kaasa laulavad, kuid kui unustada, kust see k\u00f5ik alguse sai ja sellesse \u00fcksk\u00f5ikselt suhtuda, kaob vanemal muusikal kui kunstil igasugune v\u00e4\u00e4rtus.<\/p>\n\n\n\n

\"\"
Tom Palts \/ Foto: Cariina Latkin<\/figcaption><\/figure>\n\n\n\n

Et m\u00f5ista, miks selline langus toimub, tuleks enne m\u00f5ista, kuidas inimeste muusikaline eelistus ja huvi \u00fcldse kujuneb. Pennsylvania \u00dclikooli uuringu kohaselt hakkab laps oma muusikalist eelistust kujundama umbes 10-aastaselt. 14-aastaselt on muusika \u00fcks osa lapse identiteedist ning uuringud on j\u00e4reldanud, et inimene kujundab oma muusikamaitse just selle vundamendi \u00fcmber.<\/p>\n\n\n\n

On loomulik, et t\u00f5mbutakse just selle poole, mis endale meeldib, ning muusikamaitset ei ole selle subjektiivsuse t\u00f5ttu v\u00f5imalik kritiseerida. Sellegipoolest v\u00f5iks kritiseerida kitsast silmaringi ning kesiseid teadmisi, mis v\u00f5ivad kujutada t\u00f5sist ohtu.<\/p>\n\n\n\n

\u00dcks p\u00f5hjustest v\u00f5ib peituda tehnoloogias. T\u00e4nap\u00e4eval kuulatakse muusikat enamasti kas internetis v\u00f5i iseseisvatel muusikaplatvormidel. Arvutis\u00fcsteemid on aga nii targad, et soovitavad sulle alati sama stiili muusikat v\u00f5i koguni sama artisti loomingut. M\u00f5ni teenus koostab kuulaja eest \u00e4ra isegi esitusloendid, kust muusikat esitatakse. Sel viisil piirab tehnoloogia sinu vaatev\u00e4lja ning uue muusikaga kokku puutumine on minimaliseeritud.<\/p>\n\n\n\n

M\u00e4\u00e4rav v\u00f5ib olla ka sotsiaalne faktor, mis v\u00e4ljendub s\u00f5pruskonnaga sarnastes muusikalistes eelistustes. Inimesed v\u00f5ivad tunda, et on justkui kohustatud teatud muusikat kuulama, sest arvavad, et seda mitte tehes on nad teistest erinevad ning tunnevad ennast v\u00e4ljaj\u00e4etuna.<\/p>\n\n\n\n

N\u00f5nda tekib mull gruppidest, kes on koondunud samasuguse muusika \u00fcmber ning m\u00f5istavad k\u00f5ik muusika olemust t\u00e4pselt samamoodi. Sellega kahaneb nende jaoks muu muusika v\u00e4\u00e4rtustamine, mis on vale,  sest muusika, nagu iga kunst, peaks j\u00e4\u00e4ma subjektiivseks ning esindama inimeste personaalseid v\u00e4\u00e4rtusi, mitte pealesurutud ideaale, mida \u00fclej\u00e4\u00e4nud mass j\u00e4rgib.<\/p>\n\n\n\n

Sellist resultaati saab v\u00e4ltida, kui tekitada noortes suuremat huvi muusika kui laiema kontseptsiooni vastu ja luua neile v\u00f5imalusi seda huvi s\u00fcvendada. Seda saab teha n\u00e4iteks huvikoolide n\u00e4ol. Kahjuks on t\u00e4nap\u00e4eva muusika\u00f5petajad oma t\u00f6\u00f6 eest \u00e4\u00e4rmiselt alatasustatud. N\u00e4iteks on Kuressaare Muusikakooli \u00f5petajad andnud streigihoiatuse, sest neid tasustatakse k\u00f5vasti alla \u00f5petajapalga alamm\u00e4\u00e4ra.<\/p>\n\n\n\n

Ilmselgelt on tegu \u00fchiskonna \u00fcle\u00fcldise suhtumisega muusikaharidusse.  Paistab olevat levinud arusaam, et muusikaharidus on tavap\u00e4rasest haridusest mingil viisil t\u00e4htsusetum. See t\u00e4hendab, et probleem on palju s\u00fcgavam, kui esialgselt paistab, sest seotud ei ole mitte ainult nooremad inimesed, vaid \u00fchiskond tervikuna.<\/p>\n","protected":false},"excerpt":{"rendered":"

Vaatamata t\u00e4nap\u00e4eva n\u00e4iliselt piiramatule info k\u00e4ttesaadavusele v\u00f5ib kohati tunduda, et  noorte muusikamaitse v\u00f5i siis v\u00e4hemalt teadmised muusikast osutuvad v\u00e4ga kesiseks v\u00f5i pealiskaudseks. Murekoht ei ole selles, et noorte teadmised oleks \u00fcldiselt kesised, vaid asjaolu, et enamasti ollakse s\u00fcvenenud vaid \u00fchte v\u00f5i kahte \u017eanrisse ning ei olda teadlikud muusikamaailma s\u00fcgavamast kultuurilisest taustast ja ajaloost. T\u00e4nap\u00e4eval v\u00f5ib […]<\/p>\n","protected":false},"author":1,"featured_media":285,"comment_status":"closed","ping_status":"open","sticky":false,"template":"templates\/template-cover.php","format":"standard","meta":{"footnotes":""},"categories":[20],"tags":[],"class_list":["post-282","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-essee"],"yoast_head":"\nKes oli Bach? 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